Set Design

This blog will be a short blog just about my set design, it may be a useless blog to write but I was very pleased with my set design and so thought I could write a little about it. As everyone is well aware by now, I filmed in two locations, at home for scene 1, 2 and 4, and in a barn for scene 3. I didn’t really do much in terms of set design for the first location other than the simple addition of candles, to link through to the nightmare scene, and the writing on the mirror. Everything else in the room for those scenes is always in my room and so setting up for this was just a matter of putting out some candles, making some fake cocaine, and making my bed. For my second location, the barn, I did a lot more with the set design, I brought a few of my own props, for example, mirrors and candles, but did also use some stuff that were laying around the location as props.

From what I have learnt about the horror genre over the past two years, I would say that the iconography and mise-en-scene of a horror film is very important, they help add to the atmosphere of the film which in turn adds to the suspense and chilling factor that ultimately build the whole film. Because of how important I personally view this to be, I really wanted to show this in my work and show an level of commitment to the scene that I really haven’t shown in any other projects.

My most important props to this shoot were the use of mirrors and candles, as both of these are practical props, so actually have some use to the filming. Both of these items are quite common in horror, especially candles, they have been used throughout the history of horror, from some of the very first horrors, like Dracula, to the recent modern horrors we know and love today, like Hereditary. Mirrors are also something I have seen quite a bit in horror, not as often, but I like the idea of them being some kind of portal for spirits and I have seen them used like that in many different ways, from films such as Oculus, to Halloween. These two props also linked back to my first two scenes where the rules were written on a mirror and where the candles were lit to help Ella’s character do the Tarot reading. Here are some pictures, and a link to a video, of the barn once decorated and ready for filming:

Video: https://drive.google.com/open?id=1VUx_4zg5OG34R2wlr_2GfkypPAQ9v5mD

 

Reflection on actors.

This is going to be a very short blog just to reflect on my actors, I wanted to discuss how I felt my casting helped or hindered my filming as I feel I very much glossed over that in last years FMP even though it is quite a big part of the hopeful success of this project. I only had 4 actors in total, one main actress who appears in all my scenes, Ella, and my other 3 actors who were casted as cult members and were in the background of the nightmare scene, scene 3.

I chose my actors based on different aspects depending on their different roles, for example, I had more to think about with my main character casting than I did for my background actors as their faces were covered and all I needed from them was their voice and shots of them in completely covering cloaks. Whereas my main actress had a lot more acting and emoting to do in order for my short films storyline to make sense with the absence of dialog. I ended up casting my mum, dad, and brother as my cult members, my brother is actually enrolled in an acting course, but my parents talent for acting is not quite as committed. Saying this, they all had one line and other than that their job was to stand around Ella and chant this line, and they did their job. Working with them was surprisingly easier than I had thought and their presence in this scene I think really completes the scene.

I cast Ella based on a few things, first of all she had the look I was hoping my main character would have, she fit many horror stereotypes and I felt she looks like the character I was trying to portray. Secondly, Ella has acting experience and, although not the best actor ever, she seemed more capable of taking directions and following the script and my instructions a lot better. And finally, I chose to work with Ella as, because we are friends, and I was acting in her short film, I knew she would be ok travelling to Cumbria for some of the filming and we could find a way of working around each other’s filming schedules.

Although I am glad I cast Ella into this role for all these reasons, I had to accept that it wasn’t going to be an Oscar winning performance from anyone of my actors. Being the perfectionist I am, I would have loved to produce a film that looks like it was directed by Stephen Spielberg and acted by Jennifer Lawrence, of course this is not going to be the case as they both have a lot more experience than two level 3 media students. However, I am still extremely pleased with what I have and what I think I’m able to create with the footage I have.

Second day of filming: 25th April

My second day of filming was up in my other location in Cumbria and although this shoot was only one scene, whereas the other shoot was 3 scenes, this shoot involved a lot more people and a lot more involvement in terms of set design, etc. Because the set design for this scene was a lot more detailed, it involved a lot more time to make the location (linked here) look the way I needed it to, and so myself and Ella went and set up at 6pm, 2 hours before filming started. I will admit, I was definitely feeling the pressure for this shoot, I had more actors I had to rely on as well as using someone else’s location so didn’t have the lenience of taking as much time as we wanted. Another issue with using this location was that, since I was filming at night like my first shoot date, the barn we were filming in got very cold the later it got and considering my main character was wearing PJ shorts and a t-shirt, we, again, did not have the same amount of time as my first shoot and so we had to be much more disciplined to get things done within a certain time-frame.

Like my other blog on filming, day one, I will be talking about the pros and cons of this shoot in sections. This blog will most likely be a little shorter than my last blog as many of my reasons for the success of the shoot, and the possible issues, will be the same as my first shoot.

Equipment: For this shoot I used the same camera as I had for the first shoot, my Canon 750D, I used it completely in the no flash (night scene) mode and instead of using my ring light, as there were no electricity sockets in the location I ended up using the candles I had lit as a practical light. The candles were mainly for props but they did end up supplying the kind of lighting and colour that I really was hoping for, and for any points where the candles weren’t enough light, we all set up out phone flashlights around the room and behind the camera at points.

One issue with the equipment I did have while shooting this scene was the autofocus on my camera. As it was, of course, very dark, my camera did have a very big issue with focusing properly, I did try using manual focus but I found it very hard to see whether the camera was focused or not in this particular circumstance due to the darkness of the location. Although this was extremely frustrating, especially along with some of my lost footage, I think that the shot going in and out of focus will actually be a very interesting stylistic choice I can use to my advantage through the right editing techniques.

Using the lighting I did in conjunction with the camera settings, I feel I got a really great outcome and, although some shots came out a little too dark and the focus was an issue at time, I defiantly feel confident that my editing skills can fix or enhance both of these issues and turn them into pros rather than cons.

Actors & Preparation: As I have already mentioned, I had more people to rely on for this shoot, including 3 extra actors that we made up of my family. This was very frustrating as, because they were family, I feel like they were a bit less serious about it as Ella had been in the previous shoot, although this ended up not really being the case as they had made sure to keep their scripts on them on set. As I did for my previous shoot, I gave all cast members a copy of the script, shot list and call sheets, this was definitely a very crucial decision on my part as, if I hadn’t, the chances of my shoot going wrong would have been a whole lot higher.

One decision I made prior to getting to the location was that I was going to do the main structure of Ella’s SFX, so the material build up and the painting (I used alcohol activated paints which don’t smudge once dried), but did not apply any fake blood until we were actually at the location. I did this for two reasons, 1, to prevent smudging and difficulty getting Ella in position with fake blood getting everywhere, and 2, because I didn’t want the blood to dry or look clotted or old. I was striving for a very fresh wound kind of look, and for that, the blood had to be a brighter red and quite runny, and over time most types of SFX blood tend to get thicker and darker once they begin drying.

The only real issue I had with my actors was that, because we were family and my brother, who was showing off a little in front of Ella, there were moments where I had to cut due to everyone laughing or not taking the shoot as seriously as I would have hoped. Of course, this didn’t last long and we did end up filming the whole scene in around an hour and a half which I was very very pleased with.

Overall: In all, I think this date went a lot smoother than I was expecting it to. I was very much expecting this shoot to be chaotic and frustrating, and so I am very happy with the way it went and the footage I came out with.

First day of filming: 24th April.

My first day of filming was in Leyland at my first location, and only involved myself and my main actress, Ella. We filmed scene 1, 2 and 4 at this location and it ran pretty smoothly considering this was my first time filming a full short film completely individually. I will talk about the more technical aspects of this shoot later in this blog and what I felt I, or we, excelled at and what I may have failed or fallen short at, but for now I wanted to briefly discuss my personal feelings and attitude. Although I felt very prepared for this shoot and made sure all my planning was done and prepared, I still feel like I was incredibly nervous and unconfident when I started to film. I am definitely a perfectionist so when my first few shots weren’t coming out the way I wanted them to I got very discouraged very quickly. I of course wasn’t thinking about the fact I was going to edit the way my shots look through shortening the shots and colour grading etc. Other than all of my own personal worries during filming, I feel like this shoot for scene 1, 2 and 4 went very well. I now want to discuss the things that went well and the things tar may not have in terms of equipment and the use of, any changes I made and then an overall reflection of this shoot day.

Equipment: I had planned on using my canon 750D DSLR camera and my ring light with orange filters to make the light a warmer tone rather than a harsh white light, which it would be without the orange filters.

I wasn’t 100% sure at the time of planning my equipment what filming mode I was going to use for filming but ended up switching between the no flash (which is either ‘night portrait’ or ‘night scene’ mode) and the ‘TV’ shooting modes. I understand that there are some much more advanced settings on a Canon 750D but I don’t feel like I understand them enough at this point to have messed around with them during filming. In my mind, the possibility of ruining my filming by messing with the settings and modes I don’t understand was too much of a risk that I didn’t want to take during such an important and crucial project. Although I could have maybe done more with the actual shooting to make the video quality and colour of the video a lot better, I knew that I could go back in with colour grading while editing to fix any of the issues I may have with the actual look of my filming. I overall feel like I made the best use of this camera as I possibly could and am pretty happy with these results.

My only other equipment was my ring light, I actually didn’t end up using my ring light as much as I thought I would. I felt that, even with the orange filter AND my dressing gown draped over it to dull the light a little more, there were still some moments where the light was way too harsh and made quite a few of the scenes way too over exposed. Honestly very little of my final footage involved the ring light, however I did still use it on a few scenes where it seemed beneficial to include, though this wasn’t always the case.

Changes: I did write in my shot list blog that I was completely open to changing and altering some shots and the angles or framing of these shots. Although I did pretty much keep to the shot list and film many of the shots the way I had planned on, a few were slightly altered, for example; scene 2, shot 2 was originally planned as an over-the-shoulder shot of Ella looking into the mirror and rubbing out the rules. I ended up taking multiple shots with different angles and shot sizes so that I could use the multiple different shots and put them together in editing, rather than just sticking to this one shot that I ended up not being too much of a fan of.

A few of my other shots I either completely got rid of or, in some cases, added a few shots. For example, shot 3 of the first scene was supposed to be a pan of the room as Ella entered, I decided during filming that I hated the idea of this shot, and that I felt it had no real place in my film, and once I had filmed it once decided I wasn’t going to use it in my final edit so just ignored it completely. An example of one shot that I added during filming with no real preparation but that I felt fit in well with the surrounding scenes, is an over-the-shoulder shot in scene two of Ella putting the book with the coke lines on it to the side. This is only a small and almost insignificant scene but felt that filming this extra scene was very beneficial to my project.

Overall: Overall, I felt my preparation and the preparation with my Actress, giving her the script, shot list and call sheet, was extremely helpful and lead to the success of this shoot. Although there were some hiccups throughout filming and although I did make quite a few changes last minute and because of that some aspects of my filming had no planning, I am very pleased with the results of my filming. My only issue with my footage is the colour and lighting of my shots, this isn’t that big of an issue though as I can fix all of this during editing and create the lighting and colouring of the scenes that I desire.

Iron Maiden lyrics.

Earlier into my research I did a blog looking at references to hell in the music industry, this lead me to become inspired to use some lyrics as possibly lines in my script. I had been struggling to find something for my 3 cult members to chant, I wanted something that sounded ritualistic but also easy to understand. I was thinking of possibly using lyrics from “Bury a friend” by Billie Eilish, as I felt they would work so well with the whole nightmare aspect of my story, as part of the lyrics say “when we all fall asleep, where do we go?” After uploading this blog Andrew suggested looking at a song by Iron Maiden called “the number of the beast”, I didn’t end up doing a blog just dedicated to this song but instead wrote about this song in a blog looking into the meaning of the number 666. Although I liked the lyrics in the Billie Eilish song as I thought they linked well with the idea of the scene being a nightmare, I was hoping I could find some lyrics more directly linked to Satanism as this was the initial backbone of all my ideas and planning, and although I had strayed away from the idea of Satanism quite a bit at this point, I still wanted to involve a few elements of it. 

Once I got round to writing my script I used two lines of lyrics from this song as the lines that my cult members would chant during the dream sequence, these were: “The ritual has begun, Satan’s work is done. 6 6 6, the number of the beast, Sacrifice is going on tonight.” I felt these lines worked so brilliantly in this context as they tie together the idea of Satan, which links to the devil Tarot card Ella got while playing with the cards. They also tied together the idea of death through sacrifice, and death was another card Ella got while playing, as well as also linking to the audience that this was a ritual happening and that the cult members were going to sacrifice her. Even without these specific lyrics, I feel the whole song and all of the lyrics fit well with my short film, as I mentioned in my 666 blog, I interpreted the song as blurring the lines between reality and fantasy through the worshipping of Satan. This may be a completely off interpretation but I felt it embodied a lot of what my short film was about.

The only concern I had about using lyrics from a song in my work was that there may be some copyright issues which I was very much open to looking into, however, once I had shown my actors my script, they gave me some feedback on these lines. All of them, including me, decided that we wanted to change these lines and completely remove a whole line from the lyrics, changing them to “The ritual has begun, Satan’s work is done, the sacrifice will be made tonight.” We, as a group, felt that without that middle line this made a lot more sense in the context and sounded like more of a chant than the song these lines are initially from. Before changing these lines I would have had to have done quite a bit of research into the laws of using these lyrics in my work and they would most likely be copyrighted, however now that I have changed the context of these words – no longer song lyrics but actual spoken words – and changed the actual wording, I no longer need to worry about the legal aspect of using them in my film.

Reflection of footage.

So today was my first day of editing and so essentially all I was doing was choosing the clips I wanted to use and putting them in an order I liked, then doing all the more ‘stylistic’ editing over the next week or so.

Lost Footage: I went through a few of my clips the other day before putting them onto my pen drive and then onto my computer I am editing on, I deleted a few of the really awful clips but didn’t delete many of my main scenes, or the ones I really liked the look of. Once it came to putting my files onto my computer, however, it seemed a few of my clips had gone missing; whether that means I accidentally deleted them or it means my camera SD card may have been corrupted at some point, I don’t know. This isn’t the end of the world as I had made sure that when filming I purposely filmed extra of each shot so that I had clips to choose from, however some of my more nicer shots have gone and so I am left using some of the not-so-great ones. After beginning to edit, I think I am happy enough with my footage to not have to re-film, but I will have to revisit the idea of possibly re-doing a scene or two later this week once I have edited the majority of my short film.

Focus: Another issue I had while filming that has become more of an issue because of the amount of – decent – lost footage, is that my camera had a very hard time focussing. This was really inevitable due to the fact that the majority of my footage is in dark or dim lit settings which of course made it hard for the camera to focus. I tried with both auto and manual focus but both we very tricky to control in the lighting, I ended up switching between the both but the majority of my filming was done on auto-focus. This made a lot of my shots quite unstable in terms of the focus, however instead of re-filming this or even stressing about it, I have decided to embrace the issues I had with focusing and use it as a stylistic effect in my editing. The use of going in and out of focus adds to the dream-like effect that I am going for in scene 3, it helps add to the effect of the confusion and distortion the character would be feeling.

Audio: Another issue I had, although this time an issue I had considered and planned for in advance, is the audio. A lot of my audio is that of my cult members chanting one line over and over, “the ritual has begun, Satan’s work is done, sacrifice will be made tonight.” Of course now that I am switching round the orders or my clips and cropping and cutting my clips, it no longer makes any sense. So, instead I have decided that I am going to record this audio separately and put it in at a later date. I had already spoken to my actors about this possibly being necessary and so they are completely aware and ok with re-recording this part.

 

SFX & Costume Continuity

Since my short films narrative runs over only 1 day, there was no huge costume changes whereas there were many changes with the SFX and since the filming was over 2 days, I had to keep and eye on the continuity of the makeup and costume. Keeping the continuity in the outfit was extremely easy as my main character was wearing black shorts and a black t-shirt with the hair up in a pink scrunchy, since it was such a simple outfit with only a few elements to it, it was very easy for it to flow.

The makeup and SFX was a different story completely, in scenes 1, 2 and 4 my actress had some self harm scars on her arms, where as in scene 3 these same scars had to become open cuts. Because I wanted to sell the effect of the cuts in scene 3 being the same cuts that had healed for scene 1, 2 and 4, I had to make sure they were in the same place on my actresses arms, the same size and shape so that it translated well. I had taken pictures of the scars when I did them on the first day so that I could use it as a reference for placement when it came to doing to cuts the next day. My actress had fake tanned earlier that week and so when the SFX was removed, her fake tan had been removed with it, hilariously, this actually helped an awful lot to show where the original scar SFX had been. My other main piece of SFX, that I did on the second day of shooting was the inverted pentagram on my actresses back, this was new in this scene so the continuity did not matter in the same way as the cuts. However, I had used the inverted pentagram symbol in the first 2 scenes and so the same symbol being carved into her back acted as a link between the scenes.

This has only been an extremely short and basic blog but I felt it was important to talk about this as an aspect of my production.

Location (Scene 3)

My other location, specifically for scene 3, the nightmare scene, is a barn at the back of Warcop Hall, a very big and luxurious building not far from me. I have written a blog about finding this location, a family friend who works as an architect is related to the man that owns the barn and so getting permission was quite easy, and I am so glad I did as this location is perfect for this scene. We are going round to film tonight, 24th April, and will hopefully have prepared enough so that we will not need to spend an unnecessary amount of time filming.

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Here are some pictures of the location once the set design and props were all placed and complete, pictures of the location without the props can be found in this blog.

 

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Storyboard

I decided that for my filming prep I wanted to put more effort and detail into my shot list rather than my story board as I knew that in production I would most likely change some framing, angles and possibly even the order of the shots in my scenes. I also didn’t know how to show what I am planning on creating through a storyboard and would rather write my shot list as best I can and then let my creativity and the vision I have for this project aid me once production commences. However, although I am personally not going to be relying on the shot list that much, I am still going to try and create a few storyboards for a scene or two so that my teachers have some ind of insight to my idea and thought train. I have already stated in a few of my earlier blogs that the aesthetic of this film is extremely important to me and is one of the biggest aspects to the success of my short film, and so creating at least two or three storyboards to portray this will probably be more useful that I am thinking at this point. I also feel like creating a storyboard may also help me when I get to the evaluation stages of this project to provide some reference of what I wanted my shots to look like vs what they eventually do look like.

Here is at least 1 storyboard for each location (more may be added):

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Location (Scenes 1, 2 & 4)

My location for scenes 1, 2 and 4, so all my scenes apart from the nightmare sequence, will be filmed in my own bedroom in Leyland. Since I am the tenant of this house, I do not need to worry about getting the right permissions or anything and can just film when I need to. This makes filming extra shots a lot easier if I do need to re-film etc as I don’t have to work around anyone else’s schedule other than mine and my actresses. I wanted to use this location for these scenes as I wanted an aspect of my character to be fairly ‘normal’ and ‘girl next door’ like and I feel my bedroom in Leyland is very ‘normal’. I also feel like it is a decent space to get all my shots and angles done.

Location Recce

To be completed prior to filming. This is for you to complete for every filming location. Include detail in all appropriate boxes, you need more than just ‘yes’ or ‘no’

Prepared By: Emily Bennett Date: 24th April 2019
Location Details

 

 

Emily Bennett’s (me) house in Leyland, using only the bedroom area and not the full house.

20 Balcarres Road,

PR25 2EL,

Leyland,

Lancashire,

UK.

Scene / Purpose

 

Scene 1, 2 & 4

 

Contact Name Emily Bennett Address PR25 2EL

20 Balcarres Road

Leyland

Lancashire

UK

England

Contact Tel 07730015984
Permission Emily Bennett Access Easily accessible, front and back door access.
Availability Available at any point. Electricity Supply 3 sockets, 2 extension leads. Plenty of access to electricity.
Points of Interest Bed, for the majority of scenes; Mirror, for some scenes, Window, for my character to smoke out of. Food Supplied by Emily.

 

Suitability of location Very suitable, plain and normal enough to match the girl-next-door aspect of the main character. Parking Driveway and street parking available.
Health and Safety issues See Risk Assessment Noise/Audio House will be empty so background noise isn’t an issues. Neighbours on the left side are quite and neighbours on right side have moved out.
Windows One window, North-West facing. Sunlight (direction of sun/time of of day Time of day will be night time so sunlight doesn’t matter.

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